Song for St Cecilia's Day, 1687

by John Dryden · 1687 · Beauty & Art
From Harmony, from heavenly Harmony This universal frame began: When nature underneath a heap Of jarring atoms lay And could not heave her head, The tuneful voice was heard from high Arise, ye more than dead! Then cold, and hot, and moist, and dry In order to their stations leap, And Music's power obey. From harmony, from heavenly harmony This universal frame began: From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in Man.
What passion cannot Music raise and quell? When Jubal struck the chorded shell His listening brethren stood around, And, wondering, on their faces fell To worship that celestial sound. Less than a God they thought there could not dwell Within the hollow of that shell, That spoke so sweetly and so well. What passion cannot Music raise and quell?
The trumpet's loud clangor Excites us to arms, With shrill notes of anger, And mortal alarms. The double double double beat Of the thundering drum Cries "Hark! the foes come; Charge, charge, 'tis too late to retreat!"
The soft complaining flute In dying notes discovers The woes of hopeless lovers, Whose dirge is whisper'd by the warbling lute.
Sharp violins proclaim Their jealous pangs and desperation, Fury, frantic indignation, Depth of pains, and height of passion For the fair, disdainful dame.
But oh! what art can teach, What human voice can reach The sacred organ's praise? To mend the choirs above. Orpheus could lead the savage race, And trees uprooted left their place Sequacious of the lyre: But bright Cecilia raised the wonder higher: When to her Organ vocal breath was given An angel heard, and straight appear'd-- Mistaking Earth for Heaven!
_Grand Chorus_:
As from the power of sacred lays The spheres began to move, And sung the great Creator's praise To all the blest above; So when the last and dreadful hour This crumbling pageant shall devour, The trumpet shall be heard on high, The dead shall live, t

About John Dryden

English poet, critic, and dramatist. First Poet Laureate whose heroic couplets and satirical verse dominated Restoration literature.

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